VISUAL ARTS
Painting
The earliest Indian
paintings were the rock paintings of pre-historic
times, the petroglyphst
it was common for households to paint their doorways or indoor rooms where
guests resided.
Cave paintings from Ajanta, Bagh, Ellora and Sittanavasal
and temple paintings testify to a love of naturalism. Most early and medieval
art in India is Hindu, Buddhist or Jain. A freshly made coloured flour design (Rangoli)
is still a common sight outside the doorstep of many (mostly South Indian)
Indian homes. Raja Ravi Varma is one the classical painters
from medieval India.
Madhubani painting, Mysore
painting, Rajput painting, Tanjore
painting, Mughal painting are some notable Genres of
Indian Art; while Nandalal Bose, M. F. Husain,
S. H. Raza,
Geeta Vadhera,
Jamini Roy
and B.Venkatappa are some modern painters. Among the present day artists, Atul
Dodiya, Bose Krishnamacnahri, Devajyoti Ray
and Shibu Natesan represent a new era of Indian art where global art shows
direct amalgamation with Indian classical styles. These recent artists have
acquired international recognition. Jehangir Art Gallery, Mumbai, Mysore Palace
has on display a few good Indian paintings.
Sculpture
Marble
Sculpture of female, ca 1450, Rajasthan
The
first sculptures in India date back to
the Indus Valley civilization,
where stone and bronze figures have been discovered. Later, as Hinduism,
Buddhism, and Jainism developed further, India produced some extremely
intricate bronzes
as well as temple carvings. Some huge shrines, such as the one at Ellora
were not constructed by using blocks but carved out of solid rock.
Sculptures produced in the northwest, in stucco, schist, or clay, display a very
strong blend of Indian and Classical Hellenistic
or possibly even Greco-Roman influence. The pink sandstone
sculptures of Mathura evolved almost simultaneously.
During the Gupta period (4th to 6th century) sculpture
reached a very high standard in execution and delicacy in modeling. These
styles and others elsewhere in India evolved leading to classical Indian art
that contributed to Buddhist and Hindu sculpture throughout Southeast Central
and East Asia.
Architecture
Considered to be an
"unrivaled architectural wonder",[103]
the Taj Mahal in Agra
is a prime example of Indo-Islamic architecture.
One of the world's seven wonders.
Indian architecture encompasses a multitude of expressions over space
and time, constantly absorbing new ideas. The result is an evolving range of
architectural production that nonetheless retains a certain amount of
continuity across history. Some of its earliest production are found in the Indus Valley Civilization (2600–1900
BC) which is characterised by well planned cities and houses. Religion
and kingship do not seem to have played an important role in the planning and
layout of these towns.
During the period of the Mauryan and Gupta empires and their successors, several
Buddhist architectural complexes, such as the caves of Ajanta and Ellora
and the monumental Sanchi
Stupa
were built. Later on, South India produced several Hindu temples like Chennakesava Temple at Belur, the Hoysaleswara Temple at Halebidu,
and the Kesava Temple at Somanathapura,
Brihadeeswara Temple, Thanjavur,
the Sun Temple,
Konark,
Sri Ranganathaswamy Temple
at Srirangam,
and the Buddha stupa (Chinna Lanja dibba
and Vikramarka kota dibba) at Bhattiprolu. Angkor Wat,
Borobudur and other Buddhist and Hindu temples indicate strong Indian influence on South East
Asian architecture, as they are built in styles almost identical to traditional
Indian religious buildings.
The traditional system of Vaastu
Shastra serves as India's version of Feng Shui,
influencing town planning, architecture, and ergonomics. It is unclear which
system is older, but they contain certain similarities. Feng Shui is more
commonly used throughout the world. Though Vastu is conceptually similar to
Feng Shui in that it also tries to harmonize the flow of energy, (also called
life-force or Prana
in Sanskrit and Chi/Ki in Chinese/Japanese),
through the house, it differs in the details, such as the exact directions in
which various objects, rooms, materials, etc. are to be placed..
With the advent of Islamic influence from the west, Indian architecture
was adapted to allow the traditions of the new religion. Fatehpur
Sikri, Taj Mahal, Gol Gumbaz,
Qutub Minar,
Red Fort of Delhi are creations of this era,
and are often used as the stereotypical symbols of India. The colonial rule of
the British Empire saw the development of Indo-Saracenic
style, and mixing of several other styles, such as European Gothic. The Victoria Memorial or the Chhatrapati Shivaji Terminus are notable
examples.
Indian architecture has influenced eastern and southeastern Asia, due
to the spread of Buddhism. A number of Indian architectural features such as
the temple mound or stupa,
temple spire or sikhara,
temple tower or pagoda
and temple gate or torana,
have become famous symbols of Asian culture, used extensively in East Asia
and South East Asia. The central spire is also
sometimes called a vimanam. The southern temple gate, or gopuram
is noted for its intricacy and majesty.
Contemporary Indian architecture is more cosmopolitan.
Cities are extremely compact and densely populated. Mumbai's Nariman Point
is famous for its Art Deco buildings. Recent creations such as the Lotus Temple,
and the various modern urban developments of India like Chandigarh,
are notable.

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